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pequeñucu duende is a very vivacious, mischievous gesture, lame very nice, hard working and loves mischief. Llar always walks by the kitchen, lofts and stables and corrals. Some physical descriptions of Trasgu paint it with horned, tail and some limping, others with very long legs, thin and with a very long fingers. It also is depicted wearing a red blouse and a red cap, so they called the "the colorau gorru." It has a hole in his left hand.

is duende home, at night go into the houses if the fire is lit. If you are in a good mood and treat him well, work is concerned with putting things in place, and sweep the house clean.
When grumpy, because he has been treated badly, do mischief in the house, toss the coffers and boxes, change and break pots, hiding objects, the cows out of the barn and takes it to frightening the cattle trough, stirs and cries.

not returned to the house, since it has hand holes and boasts of leaving everything as it is, it's best to order any of these three things:

• Ask collected from the ground millet or flax.
• Put the bleaching of the skin of a black ram.
• order to bring a basket of water.

The Trasgu, scrupulous in its function, try picking the beans, but will escape through the hand holes. Unable to do the above, then embarrassed, it will never to return.

In Asturias, the Trasgu receives different names depending on location. Thus, it is known as the Trasno, the dog whelk or two Camí Xuan in the west, and as the Gorretín Coloráu or the red cap in the councils further east. The Goblin's antics are repeated with different variations in many towns and sites throughout the peninsula, and their adventures are evoked in classic works of English literature, the Lazarillo de Tormes, Cervantes' interludes or the comedies of Lope de Vega.

During the XVI and XVII, including highly respected theologians were convinced that goblins were a category of lesser demons and domestic. Numerous records of inquisitorial trials show to what extent was rooted belief among all social classes, and how the church tried to neutralize their action with reproaches and exorcisms. Antonio de Torquemada devoted a comprehensive treaty of its curious flower garden to the "ghosts, visions, goblins, sorcerers, wizards, witches and greeters" which fully describes its activities. According to Torquemada, "the goblins are nothing more than a few demons of family and home that other [...] and it seems that some do not come out of some houses, as if they had their own dwellings, and are made to feel in them, with some thunder and rejoicing, and many jokes, doing no harm, that though I will not give testimony of having seen it, I have heard from many people credit the

Oyen guitars strumming, and rattles, and often respond to callers, and talk to some signs and laughter, and bruises. "

Already in the eighteenth century, the strong belief in the activities of the elves would have its first major detractor in the figure Fray Benito Jerónimo Feijoo, who devoted an entire chapter of Universal Critical Theatre (1781) to refute the existence of the "Elves and familiar spirits." Thereafter, coinciding with the development of experimental science in the nineteenth century were increasingly more voices of theologians and scientists who rejected the belief in ghosts.

However, among the most popular classes, not only rural but also urban areas, this belief has continued to live until today. Few English towns where there is a house that is believed inhabited by elves. And, as with other mythological beings, the Trasgu exists not only in Spain but, under different appellations, his figure is almost universal. Thus, under the names "lutin", "brochure", "fantastique", "Kobold" "Nix", "robin" or "puck" is also found in many parts of Germany, France, Italy or England, and the same antics that refer to him among us are also relevant in other towns.

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THE BATTLE OF THE ELEMENTS OF THE WASHER OF THE FORD

The sky was the scene of the struggle for power of Huang Di and Yan Di, two divine emperors who craved the absolute rule of the universe. The Yellow Emperor, as brave as always, prepared to defend the natural order in front of his brother preset.

Huang Di and Yan Di led armies to the plains of Zhoulu, in the province of Hebei. Wild animals roamed the flanks on both sides, and eagles and vultures with wings darkened the sky over the battlefield. But the conflict was resolved quickly, as Yan Di was already by then an old man who lacks strength and initiative, the very opposite of Huang Di, a warrior god in their prime. Thus, shortly after the battle started Yan Di just fleeing south.
oldest in the testimony, this contention is presented in very basic terms, as Yan Di "The Dread Emperor or Ruler Shining" was armed with fire, while the Yellow Emperor had water as a weapon, which of course just be imposed on fire. After this victory, established Huang Di order in the universe happened to embody the god of the Centre, the gods of the four cardinal points in his service. But there was to address a number of challenges to their power.
When Gu, a fierce dragon god body and human face, joined to another deity called Qin Pi to kill the god Bao Jiang, Huang Di had to intervene immediately sending emissaries to get rid of so treacherous conspirators. But after death, Qin Pi is transformed into a bearded tiger-footed, has since decided to take the dispute and violence where it was. Gu became a hideous owl with yellow and red legs that carried the drought and famine.
On another occasion, the lesser god dared to kill Jia Wei Yu, a divine serpent with a human face, but Huang did intervene to punish the guilty, who, once captured, was taken to the mountains of Shushu in the west, where he was bound a tree. On the other hand, Huang Di, who knew all about death and had the pill of immortality, Jia Yu takes to the mountains of Kunlun and returned to life. Unfortunately, Yu Jia was transformed once alive in a fearsome beast that was dedicated to wreak havoc among human mast Yi, the divine archer, just killing him again.

BLUME EDITORIAL: BY C. SCOTT LITTLETON

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4th festival (December 7, 2008)

DAY 4)

To this day were planned decommissioning of the festival and all start as estimated.

very early and all directions came increasingly more and more young people were invited to participate in different activities referred to dwell on Sunday's Central Park of Guatemala City.

not miss the look biased and full of stigma of people passing by and were amazed, as hundreds of young people from taking quarters and neighborhoods Central Park, invading public space, doing exercise their right to free speech and generating and sharing living space with its own structures and rules.

past while making technical adjustments, patiently awaiting the start of the battles / Breakdance displays as expected and when all was ready we will start with words Welcome alluding to the days spent during this festival and the thanks to those in one way or another made it possible.

After finally kicked it battles with the most representative of the breakdance crew the national and the display of guest judges the Central American region.

16 crew were involved with 6 b-boys and crew, making a total of 96 direct participants in these battles that also opened the space for Display of 2 crew made up of B-girls (women), who demonstrated their skills in this discipline.

the evening concert was held close to the most important rap group in the region, who took the microphone to speak on behalf of a movement youth, telling stories of the neighborhoods from which to denounce the problems they face and to raise awareness about the reality through their music.

MC's took the floor and threw his poetry with complaints and criticisms of the political and economic system that strangles us and has cornered the youth with repressive policies and lack of real opportunities for human development and at the same time raised the morale of the movement with songs of victory that evoke the power of youth .

The audience could watch all day and not just the young people involved in Hip Hop, but completely unrelated to the people, even whole families watching caught passes and acrobatic jumps that make up the essence of this particular form of expression through dance and music, achieving this counteract the stigma is against the youth and the ability to visualize inclusion of this movement.

The festival came to an end amid hugs, congratulations and endless goodbyes. With the illusion of the second edition of the festival and beyond the borders again next year, and with the commitment to continue working to strengthen and expand the participation movement expression and education, today vital for American youth.

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Day 3 of the festival (December 6, 2008)

DAY 3)
Today all start in the morning with two parallel activities on the one hand the production of graffiti and other Breakdance workshops. For the production of graffiti artists from the day before had prepared the wall and sketch their pieces were beginning to work picking up the work of the last day. Gradually were covering the walls with layers and layers of paint, and with each stroke were closer to the final piece, the walls were discovered in the eyes of these young artists a new face, which reflects a different way interpret the world, an asymmetric universe does not comply, he wants to be different, one that invades with colors and shapes, transforming the gray walls of the cities where the lives gray gray pass, refusing to uniform. As evening was falling production graffiti took shape intervening visual space of the city and staying as tangible evidence of what happened during these days of meeting. the same day in the Metropolitan Cultural Centre opened the workshop was conducted with technical Breakdance: Power moves Top Rock Foot Work Pooping The workshop was given by colleagues from the brothers Central American countries and was attended by 150 young people who identify with this element of Hip Hop who from the beginning to the end of the workshop were participatory and enthusiastic about new techniques and experience that the instructors had to share. exchange and coexistence were the elements highlighted throughout the workshop, which was full of smiles, hugs and applause, supportive environment to create this space in the most experienced in the art passed on their knowledge to those who start this discipline that requires rigor and delivery by the trouble in the execution of body movements and physical skills that displays this form of expression. The workshop culminated in a giant circle in expressing a group dance that generated a strong sense of belonging can transcend borders not only geographical but also age, gender etc. Wrapping the participants in a single energy, as when a "tribe" in expressions such as dance cohesive strength to grow and survive.

For the afternoon of December 6 were provided two more workshops at the Cultural Center of Spain, these being the Graffiti and Rap. graffiti
The workshop began with a brief introduction to the basic principles of this form of expression. Then he departed from the smaller sample of graffiti which is the Tag or signature, was with what graffiti artists began to invade the streets and a hallmark of each of them. then opened a space for the practice of personnel tag and participants using as example the name of some of those present, after that the theme was the bombing or PUMP LETTERS which are small pieces a little more complex, this is only two colors and is the basis for large parts, reason why the rest of the workshop will focus on practicing this type of design looking to the participants make their own proposals for bombing.
Rap For the workshop the participants brought their own texts to share with everyone and eager to learn new techniques for writing songs. The working day began with a talk about the MC, as an element of Hip Hop and Rap Music as an expression of this culture, emphasizing the main features of each and the differences between each other, this gave Guideline to address also the issue of responsibility to be MC and have "the word", to be the spokesman of a generation with their problems and needs, with their searches and demands. After this we proceeded to make a series of practical exercises delve into the techniques of composition Rap, experimenting with some of the figures of speech, poetry and music that give life to this form of storytelling, reporting what is happening and express feelings and ideas of American youth today.

To end this day of work was done the night of DJ's in which some of the best exponents of this element showed his talent by mixing rhythms and music while all and everyone dancing, laughing forming a party celebrating life. Some MC's made small interventions Freestyle (improvisation), while other colleagues took the microphone to hear your Beatbox leave. One by one the DJ's were presented with the best of his music and mixing techniques and schratch, leading to the attendees and a world of multiple and complex sounds with powerful bass and ripping discs Vinyl unleashed a collective catharsis where harmony, brotherhood and coexistence were the rule.

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Day 2 Festival (December 5, 2008)

DAY 2)

The activities began after midday, with the graffiti artists of national and invited preparing the wall for the production .

Cleaned, dropped anchor and began to sketch, suggesting forms and images that slowly began to appear as if the wall was taking life with each stroke, turning into a giant canvas on which young people artists inscribed their way of understanding reality.

During this same day was held at the Cultural Centre of Spain conversatorio:

"Hip Hop in Central America and their contribution to youth movement "

This opened the possibility for Hip Hop artists in the region engage in a dialogue about his artwork and the status of the movement in each countries of the isthmus, by highlighting the undeniable contribution this lifestyle is for youth in Central America. Searching for common ground, and the strengths and weaknesses facing to strengthen and grow.

the bases for it begins to become an American Movement of Hip Hop.

This activity took 6 speakers (1 per country) and about 50 attendees including local artists and guests and people outside the movement who showed interest in everything that is happening with Hip Hop and alternative form of expression, communication and cohabitation that young people have found in it.

In the evening the same day a party was held at La Bodeguita del center to welcome the guests and so led the activities of this second day of festival.

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Festival Day 1 (December 4, 2008)

In Guatemala City, from 4 to 7 December 2008, made the first American festival of Hip Hop "Hip Hop Union."

For such activity was with the participation of 35 artists and activists from sister countries of El Salvador, Honduras, Costa Rica, Nicaragua and Panama, as well as about 100 local artists.

December 4th Day activities kicked off as they had planned an exhibition of graffiti, street poetry group concert in Guatemala and projection documentary "Scratch" which shows the origins of hip hop through interviews and music sessions with some of Hip Hop DJs most important in the world.

This activity was attended by about 200 young men and women who also witnessed the artistic activities which inaugurated the festival, they welcomed the brothers American who came to participate in it. Starting from already coexistence and exchange of ideas and experiences that this type of event can generate, particularly among young people from countries with similar stories and situations that are in this artistic movement and youth force cohesion to break bars and overcome borders, building on the Hip Hop one Central American nation.

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Sometimes rivers and streams had a sinister symbolism as border areas between life and death. A common reason is the Washer of the ford, a goddess of war who used to wait in a ford, sometimes disguised as a woman, others of a raven or a crow, and I decided that warriors passing along she would die that day on the battlefield. While

went into battle, a group of soldiers stopped at a ford, where watched the terrible sight of the ghost of a slender woman who looked with his eyes red with anger over his gray hair. And their feet, bathed in blood, lay piled the bodies of several vacuous, some so disfigured that neither their own mothers they might have been recognized.
To the astonishment of the soldiers, she let out a laugh that izo frightening that a chill will run throughout the body. Slowly, she lifted one arm and was pointing to each of the men. In the end, the team leader met approximate value for women and, with indescribable effort, managed to ask, "Who are you?".
"Me?" Exclaimed. "I am Morrigan, Phantom Queen, although some call me the washer of the ford. Knocknerea sleep on the mountain, deep in the Cairn of moves, and I work to wander through the torrents of Ireland, dealing the evil men. " "And who are they?" Asked the head of the group, "Men who lie in such terrible battery? Are those who killed and maimed as today? ". Morrigan
then exclaimed: "I do not I have killed these men I have not even touched a hair of their heads!". To say, men with pierced his eye. "Look back to these dead warriors. They are men who are behind you and are and what will become tonight, after the battle. I just limit myself to clean the blood of its members. "
The chief looked back the bodies and began to recognize the traits of one of the warriors who accompanied him.
then slowly leaned Morrigan so bloody loot and showed an object to the head, the look and recognize achievement in the hair bloodied his own severed head.

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In Irish and Scottish mythology, is used to attribute the existence of certain features of the land to an earth goddess, Cailleach Bheur, which took the form of a giant witch.

Every night, after saving the herd, the Great Witch way to the top of Ben Cruachan to prevent the passage of spring with a large rock obstructing such that not to flood the plain at night. But one day he fell asleep on the way to the mountain on waking found that the spring waters flowed out of control in the form of a great flood coming down hard downhill. La Bruja attempt to plug the spring where the water went the rock, but such was the force that flowed could not do anything. In the end, defeated, he began to contemplate the flood plain, full of men and animals killed or drowned, and such was his grief that I just turned to stone. Floodplain became his turn in the Loch Awe of Agryll, west of Scotland.