pequeñucu duende is a very vivacious, mischievous gesture, lame very nice, hard working and loves mischief. Llar always walks by the kitchen, lofts and stables and corrals. Some physical descriptions of Trasgu paint it with horned, tail and some limping, others with very long legs, thin and with a very long fingers. It also is depicted wearing a red blouse and a red cap, so they called the "the colorau gorru." It has a hole in his left hand. is duende home, at night go into the houses if the fire is lit. If you are in a good mood and treat him well, work is concerned with putting things in place, and sweep the house clean.
When grumpy, because he has been treated badly, do mischief in the house, toss the coffers and boxes, change and break pots, hiding objects, the cows out of the barn and takes it to frightening the cattle trough, stirs and cries.
not returned to the house, since it has hand holes and boasts of leaving everything as it is, it's best to order any of these three things:
• Ask collected from the ground millet or flax.
• Put the bleaching of the skin of a black ram.
• order to bring a basket of water.
The Trasgu, scrupulous in its function, try picking the beans, but will escape through the hand holes. Unable to do the above, then embarrassed, it will never to return.
In Asturias, the Trasgu receives different names depending on location. Thus, it is known as the Trasno, the dog whelk or two Camí Xuan in the west, and as the Gorretín Coloráu or the red cap in the councils further east. The Goblin's antics are repeated with different variations in many towns and sites throughout the peninsula, and their adventures are evoked in classic works of English literature, the Lazarillo de Tormes, Cervantes' interludes or the comedies of Lope de Vega. 
During the XVI and XVII, including highly respected theologians were convinced that goblins were a category of lesser demons and domestic. Numerous records of inquisitorial trials show to what extent was rooted belief among all social classes, and how the church tried to neutralize their action with reproaches and exorcisms. Antonio de Torquemada devoted a comprehensive treaty of its curious flower garden to the "ghosts, visions, goblins, sorcerers, wizards, witches and greeters" which fully describes its activities. According to Torquemada, "the goblins are nothing more than a few demons of family and home that other [...] and it seems that some do not come out of some houses, as if they had their own dwellings, and are made to feel in them, with some thunder and rejoicing, and many jokes, doing no harm, that though I will not give testimony of having seen it, I have heard from many people credit the
Oyen guitars strumming, and rattles, and often respond to callers, and talk to some signs and laughter, and bruises. "
Already in the eighteenth century, the strong belief in the activities of the elves would have its first major detractor in the figure Fray Benito Jerónimo Feijoo, who devoted an entire chapter of Universal Critical Theatre (1781) to refute the existence of the "Elves and familiar spirits." Thereafter, coinciding with the development of experimental science in the nineteenth century were increasingly more voices of theologians and scientists who rejected the belief in ghosts.
However, among the most popular classes, not only rural but also urban areas, this belief has continued to live until today. Few English towns where there is a house that is believed inhabited by elves. And, as with other mythological beings, the Trasgu exists not only in Spain but, under different appellations, his figure is almost universal. Thus, under the names "lutin", "brochure", "fantastique", "Kobold" "Nix", "robin" or "puck" is also found in many parts of Germany, France, Italy or England, and the same antics that refer to him among us are also relevant in other towns.
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